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Blue in Obansaek, (Korean Traditional Color Scheme)

The hue of "creativity, loyalty, generosity, and infinity"

Obangsaek (오방색) color diagram.  Design by Volga Serin Suleymanoglu

Obansaek (오방색, 五方色) is the Korean traditional color scheme of blue (green), red, yellow, black, and white. Obang means five directions - center, north, south, east, and west; saek indicates color; thus, it means “the five directions of color.” These Korean traditional colors were inspired by the concept of the ancient Chinese philosophical theory of Yin and Yang and the Five Elements – presenting a belief that there are two forces (energies) -yin and yang - creating the five elements: wood, fire, earth, metal, and water. The theory describes that everything in life - the universe, nature, and humans - must be balanced.1

Each color of Obansaek is assigned to a direction and meaning. Yellow sits in the center, symbolizing the center of the earth (or the universe), and is considered one of the noblest colors; therefore, it was used for kings' garments. Black indicates north, water, and winter, and deals with human wisdom. Blue symbolizes “creativity, loyalty, generosity, infinity, and other positive qualities. Blue is a reference to Korea's natural beauty and clear skies.”  Red signifies south, fire, and summer; the color exorcizes evil spirits. Lastly, white, meaning truth and virginity, embodies the West, metal, and fall. Koreans liked to wear white clothes, calling themselves the "white-clad folk.2

Fig. 1  Indigo pigment on the roof of Gyeonghui Palace.

ⓒ Korea Heritage Agency

Koreans, believing that Obangsaek conveys fortune, protection, prosperity, and harmony, have applied it to their cultures: architecture, food, clothing, and art. The architect of the Joseon Dynasty (1392-1910) adorned the places with dancheong (단청) (Fig. 1) in the symbolic Korean colors to protect the wooden structures and infuse the meaning of the nation's prosperity. Dancheong is a traditional Korean art form of decorating wooden buildings with rich colors and motifs. It's predominantly used in palaces, temples, and other significant buildings.3

 

References

1. Chi Ying Bonny, “Philosophy,” hanbok heroes, May 2, 2020, https://herohanbok.wordpress.com/philosophy/.

2.  Honorary Reporters, Korea.net, June 21, 2023, https://honoraryreporters.korea.net/board/detail.do?articlecate=1&board_no=11690&tpln=1

3. Neogg Lee, essay, in Floral Design Lattice Doors of Korean Temples (Mapo-gu, Seoul: Sol Publishing, 2003), 221–22.

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